“The cautionary tale, in which we are warned that something bad might happen, is one of science fiction’s most venerated traditions. Another one, of similarly honorable and established pedigree, is the sense of optimistic wonder.
Tomorrowland is both of these, and more because it pits them against one another from the very first act. It’s also many other things, including, and I’m not sure how I feel about this, an opportunity for Disney to turn “It’s a Small World” into a ride more like Pirates of the Caribbean with the aesthetics of Space Mountain and retro-futurism.”
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